Some people fear Afro-Caribbean religions. But Lyn Di Iorio is intrigued by them – so much so that her first book, Outside the Bones, focuses on the mysterious practices. Her novel was released last month by Arte Público Press.
Di Iorio, who was raised in Puerto Rico, teaches English with a focus on Caribbean and U.S. Latino literature at The City College of New York and The Graduate Center of the City University of New York.
She received her bachelor’s degree from Harvard University, her master’s degree from Stanford University and her Ph.D. from The University of California at Berkeley.
Q: Tell me about your book, Outside the Bones.
Outside the Bones is a provocative tale of love, murder and mystery steeped in the Afro-Caribbean religio-magical practice of Palo Monte. When the irrepressible, street-toughened, but ultimately tender-hearted main character, Fina, falls in love with her upstairs neighbor, Chico the hot trumpet player, she does what any ghetto bruja would do–takes his picture intending to put a spell on him. Her spell misfires and two strange women competing for Chico’s favors show up. Fina then ups the ante by asking the powerful Spanish Harlem Palero, Tata Victor Tumba Fuego, for help. All too soon Fina finds herself involved with a spirit whose quest for revenge can’t be stopped. Mixing humor, eroticism and Afro-Latino/a spiritual history, Outside the Bones takes readers on a rollicking, hair-raising, and ultimately redemptive journey through New York City’s Upper West Side, Central Park and Puerto Rico. Fina finds answers that uncover the mystery behind a murder but, more importantly, reveal things about her past she had never suspected.
Q: What inspired you to become a writer?
For one, reading so many great writers. As a child, I loved classic works such as the novels of Charles Dickens, Rudyard Kipling and so many other writers from all over the world, but I also loved mysteries by Agatha Christie, Dorothy Sayers, Dick Francis, and others. When I was a teenager, I started reading work by Puerto Rican and Caribbean women writers that really woke up my eyes to the magical and mysterious world that is the Caribbean. I was also always really fascinated by the fact that the Afro-Caribbean religions were regarded with fear by most of the people I knew growing up. Or, on the other hand, people negated their existence altogether. But the more I discovered about them, the more they fascinated me. I think, in general and this applies beyond my interest in Afro-Caribbean religio-magical practices, I am really intrigued by surfaces that seem commonplace with little cracks or flaws and, the more you explore the cracks, the more you see that the apparently commonplace surfaces are just facades behind which lie completely different realities.
Q: You’re a professor specializing in Latino literature. What can we do to encourage more people to read Hispanic literature?
Well, I think the publishing world needs to recognize that there is a large population of Latino readers with diverse tastes and interests and that they may not be tapping that diversity. Some Latino readers don’t want to read books that are about growing up Latino because they feel they know that, they lived it; they want to read mysteries, for example, not coming of age stories, and would like to read mysteries with Latino characters or that have strong Latino ambiences. I also think that works by Latino writers should be taught not just in Latino and Caribbean literature classes, but in all kinds of literature classes ranging from American literature to classes with more thematic focuses.
Di Iorio is making several appearances in support of her book, including Oct. 24 at the Barnes and Noble in New York City’s Upper West Side. Click here for more information.
The Hispanic Reader 