Category Archives: Fiction

Meet novelist Guadalupe Garcia McCall

The seeds for Guadalupe Garcia McCall’s career as a novelist began in school, when her teachers encouraged her to become a writer. McCall’s first young adult novel, Under the Mesquite, was published earlier this month by Lee & Low Books.

McCall was born in Mexico and grew up in Eagle Pass. She is working on a second young adult novel and her poetry has been published in several literary journals. She also works as a junior high English teacher.

Q: Tell me more about your book, Under the Mesquite.

Under the Mesquite is a novel in verse, which came about because my editor, Emily Hazel, came across a small collection of poems I had submitted to Lee & Low. The poems were nothing more than small vignettes, glimpses of my life on the border, but Emily loved the poems so much she asked if I would work with her on turning the collection into a book. I agreed and thus began a three-year journey. Through several revisions, Emily and I decided to make it a work of fiction to allow for more freedom in the creative process.

Under the Mesquite is the story of Lupita, a young Mexican-American girl living the American dream, trying to fit in, dealing with normal teenage angst, until she learns her mother has cancer. The news devastates the family, but Lupita is determined to do whatever it takes to help Mami get better, and that includes taking on the role of parents while her parents travel to Galveston for her mother’s treatments. Unfortunately, life gets harder and harder, and Lupita’s journey is long and painful. However, because she is strong in love and faith, Lupita learns to cope and ultimately survive this difficult time in her life.

Q: What inspired you to become a writer?

Both my parents were an inspiration to me. They were hard-working people, with little education, so they always stressed education for us. My parents wanted great things for each and every one of us. They always made sure we saw how special and talented we were. From an early age, they looked for and fostered our “qualities” or talents.

However, my teachers played an integral role in my desire to become a writer. My third grade teacher, Mr. Hernandez, read a story I wrote in Spanish and asked me if I was going to become a writer. That planted the seed. Then, in high school, Ms. Garcia and Ms. Urbina were convinced I had the talent to become published. Even Ms. Moses, my mentor and math teacher, wanted that for me. I’ll never forget that she gave me a Writer’s Digest book for my high school graduation. I have all my wonderful teachers to thank for this beautiful dream I am living. They planted and nurtured the seed within me. All I had to do was believe them.

Q: What Latino/a authors have been your biggest influence and why?

There are so many authors I admire. I love Sandra Cisneros and Gary Soto and Julia Alvarez. As far as fiction is concerned, the author I love reading is Gabriel Garcia Marquez. I love his One Hundred Years of Solitude. I’ve read and reread that book so many times, and yet, every time, it feels like the first time because there is so much depth to that book. Someday, I want to grow up to write just like him. However, I am especially fond of Pat Mora, who has such beautiful lyrical poetry for children. I love her Dizzy in Your Eyes. She is my inspiration and my idol and “Dia de los Ninos” (her celebration of family literary) is close to my heart.

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Hispanic literature’s greatest hits

Today marks the beginning of Hispanic Heritage Month, which runs through Oct. 15. Want to catch up on some great Latino literature through the centuries? Here are some good starting points:

The Norton Anthology of Latino Literature compiled the greatest works of four centuries of Hispanic literature. Smithsonian magazine wrote about the project last year.

Latina magazine offers an excellent and comprehensive list called 25 Books Every Latina Should Read. (And happy 15th anniversary to Latina magazine!) They list books from 24 Hispanic authors, as well as The People’s History of the United States by badass historian Howard Zinn.

• The Association of American Publishers and Las Comadres, a national Latina organization, has formed a National Latino Book Club that discusses Hispanic books once a month in cities across the country. They have a great list of selections on its website.


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Book Review: Justin Torres’s “We the Animals”

Justin Torres’s debut novel, We the Animals, can be described in one word – wow.

The book is a series of short vignettes about three brothers – half-Puerto Rican, half-white – growing up in upstate New York. The narrator begins the book using “we” as he describes the boys’ exploits around their neighborhood. The title’s metaphor is perfect, as demonstrated in the book’s opening lines:

“We wanted more. We knocked the butt ends of our forks against the table, tapped our spoons against our empty bowls; we were hungry. We wanted more volume, more riots. We turned up the knob on the TV til our ears ached with the shouts of angry men. We wanted more music on the radio; we wanted beats; we wanted rock. We wanted muscles on our skinny arms. We had bird bones, hollow and light, and we wanted more density, more weight. We were six snatching hands, six stomping feet; we were brothers, boys, three little kings locked in a feud for more,” he writes in the poetic first story, “We Wanted Everything.”

The book starts out with stories that are funny and innocent, just like the boys. But life gets tougher for the children, especially as their young mother and father experience stressful jobs and marital problems. Torres’s dialogue and descriptions are so real that you feel like you’re in the room with the family.

Sometimes, the scenes can get stark.

“You talking about escaping?” Ma asked.

“Nobody,” Papa said. “Not us. Not them. Nobody’s ever escaping this.”

As the boys get older, the narrator uses “I” instead of “we” as he emerges as the smarter, more responsible brother. But the book – and the title’s metaphor – takes on an unexpected and disturbing tone as the family discovers a secret about the narrator.

We the Animals is a thin book – only 125 pages – that readers will zip through in a couple of hours. But the memories of the book will last with them.

More about Justin Torres:

• An interview with Torres and excerpt from the book can be found on “The Diane Rehm Show” website.

• Torres talked about his short story, “Reverting to a Wild State,” to The New Yorker.

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Book review: Esmeralda Santiago’s “Conquistadora”

Conquistadora is the tale of a strong, feminist Latina living in the wrong century.

Esmeralda Santiago, best known for her 1994 memoir When I Was Puerto Rican, has written the epic story of Ana Larragoity Cubillas, a 19th century Spainard who yearns to live an adventurous life overseas after reading the journals of her ancestors who traveled to the New World three centuries earlier. At the age of 18, she convinces her husband, Ramón, and his identical twin brother, Inocente, to run a sugar cane plantation in Puerto Rico.

“I don’t expect to be happy all the time,” Ana tells a friend. “I’d rather be surprised by one moment every so often to remind me that joy is possible, even if I have to pay for it later.”

Good thing she has that attitude because, over the course of two decades, Ana endures the death of loved ones, adultery, family disputes, a fatal cholera epidemic, and bad accounting practices. But Ana leads the large plantation to success, employing more than seventy-five workers – many of them slaves. At the same time, the United States is in the midst of the Civil War over its slaves. Some of Ana’s family members support abolition in Puerto Rico, and the slaves’ uprising leads to the story’s tragic conclusion.

But readers can be tested to reach the ending of this thick book. The story drags at times – especially when Santiago provides historical background that, while providing context, makes the novel seem like a history book. Still, readers will keep turning the pages because they will want to know how Ana handles the next obstacle in her way.

More on Esmeralda Santiago:

• Santiago talked about and read from her book to PBS Newshour earlier this month.

• She wrote an essay about retirement for AARP VIVA.

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Book Review: Francisco Goldman’s “Say Her Name”

Francisco Goldman has turned his pain into one of the most eloquent and most praised novels of the year.

Goldman writes about his young wife’s death in the book, Say Her Name. Goldman was married to Aura Estrada, a Ph.D. candidate in literature who died in a swimming accident in 2007, and he keeps their names and many real life incidents in the novel.

In the book, he describes their first meeting, their difficult families, and their lives spent in New York City and Mexico. The first hundred pages are particularly riveting and, although the subject can be heavy, Goldman’s details make the reader know the characters intimately and feel Francisco’s heartache. Many times Goldman sounds like a teenage boy who can’t believe his crush likes him back – such as this passage in the beginning of their relationship, when he calls Aura and her roommate answers the phone:

“She had a young cheerful voice that came through the phone line like a fresh breeze of spring. Aura was in the shower, she told me. She was in the shower. That phrase evoked so much – it was about six or seven on a weekday evening, normally not an hour for showering unless she was going out, most likely on a date, or whatever it is, I thought grad students call ‘dates.’ Even now it hurts to imagine her engaged in that sweet ritual for anyone other than me: coming out of the bathroom with her hair turbaned in a towel, another wrapped around her torso, choosing her dress, blow-drying her hair, putting on the dress, studying herself in the mirror, applying makeup, taking off the dress and putting on another – one that’s less pretty and sexy but that’s in a way that covers the yin-yang-faced sun-moon tattoo on her chest above her left breasted that she’s had since she was fifteen – reapplying her lip gloss with a Zen calligrapher’s perfect touch, padding around the apartment in still bare or stockinged feet, in that state of restrained excitement just before going out into the night.”

Looking back on her life, Goldman is charmed even by Aura’s annoying characteristics – such as her habit of losing or forgetting things. And his grief is so profound, he kisses a tree that he walks by every day because he imagines seeing her face on it, and he even goes out in the middle of a frigid night because he had forgotten to kiss the tree earlier that day.

Just as Goldman is haunted by his wife’s memories, readers will be haunted by his words.

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Tough crowd

School will start soon, and many Hispanic teenagers will be stuck reading about white people again.

When I taught English at a high school with a predominantly Hispanic population, I struggled to get my students to enjoy any type of book. But it was even tougher to find young adult books with Hispanic characters. Of course, Sandra Cisneros’s The House on Mango Street and Rudolfo Anaya’s Bless Me Ultima are part of the canon. When students were looking for books for independent reading, I steered students toward Gary Soto’s novels – and then I had to recommend non-Hispanic authors.

It’s crucial to get young Hispanics to read. In 2009, 17 percent of Hispanics dropped out of high school, according to the National Center for Education Statistics. Hispanics had the highest dropout rate for any ethnic group, although the rate has been decreasing each year.

Here are a few good resources for finding Hispanic-oriented young adult fiction:

• Houston–based publisher Arte Publico has its own young adult section, which includes You Don’t Have a Clue: Latin Mystery Stories for Teens, a book of 18 short stories, according to AARP VIVA.

• The American Library Association lists several Hispanic-themed books in its 2010 Best Books for Young Adults, including David Hernandez’s No More Us for You and Matt de la Pena’s We Were Here.

• The Austin Public Library’s Connected Youth website features a great list of Hispanic-oriented books for young adults.

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All in the name

A few years ago, I read three books for one selfish reason – the characters had the same last name as me.

My last name, DeLeon, isn’t common, so it was exciting to see my name in print. The first of these books, Rick Riordan’s 2006 Mission Road, featured a character named Ana DeLeon who was tangled up in the investigation of an unsolved murder. Mission Road, unlike Riordan’s Percy Jackson and the Olympians series, isn’t particularly memorable, but the other two DeLeon books are awesome.

The most famous of these books is Junot Diaz’s 2008 The Brief Wondrous Life of Oscar Wao. The lead character, Oscar DeLeon, is a misfit whose Dominican-American family suffers a curse brought on by a former dictator from their homeland. This funny book won the Pulitzer Prize for Fiction, with Diaz becoming the second Hispanic to receive that honor.

But my personal favorite DeLeon character comes from Stewart O’Nan’s 2008 Last Night at the Lobster, which depicts Manny DeLeon’s last day on the job as manager of a New England Red Lobster on a snowy day. DeLeon is just an ordinary guy living an ordinary life, but his sense of decency makes him one of those characters that you wish you had as a friend. I’m proud to share the same last name as him.

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